15 April 2021
Unfortunately I don't have the time today to share an elaborate report/reflection on what I have been up to in the last seven days, but I will mention quickly that tonight is Insurgence #822, the 40th show of year 16 of Insurgence, and I will be playing music from The Underground Youth, I Have a Love, and Alan Vega. As always, Thursdays 10 pm to midnight US Central Time on WHYS Community Radio, 96.3 FM Eau Claire and streaming, via the web, at: www.whysradio.org
One other quick comment: meeting with a physical therapist this morning for the tendinitis in my right shoulder (I am confident I/we will take care of this and are already doing so), he told me, as a 41 year old who has long enjoyed running regularly but has worried about being able to continue as he grows older, ‘I am his inspiration'. That's flattering, I appreciate it, but somewhat startling as I have hardly expected I would become anyone's inspiration by resuming running regularly as I near my 60th birthday (in less than a month now). I suppose it makes sense though. The slight complication: I am an inspiration because I am doing this even though I am old

Best regards everyone.
Here's the playlist for the 15 April 2021 edition of Insurgence:
April 15, 2021
1.
The Underground Youth–“Sins”
The Underground Youth–“Last Exit to Nowhere”
The Underground Youth–“The Death of the Author”
The Underground Youth–“Blind II”
The Underground Youth–“I Can’t Resist”
2.
The Underground Youth–“Vergiss Mich Nicht”
The Underground Youth–“The Falling”
The Underground Youth–“Egyptian Queen”
The Underground Youth–“And I . . .”
The Underground Youth–“A Sorrowful Race”
The Underground Youth–“For You Are the One”
The Underground Youth–“Cabinet of Curiosities”
The Underground Youth–“Letter from a Young Lover”
3.
For Those I Love–“I Have a Love”
For Those I Love–“You Stayed/To Live”
For Those I Love–“To Have You”
For Those I Love–“Top Scheme”
For Those I Love–“The Myth/I Don’t”
For Those I Love–“The Shape of You”
For Those I Love–“Birthday/The Pain”
For Those I Love–“You Live/No One Like You”
For Those I Love–“Leave Me Not Love”
4.
Alan Vega–“Stars”
Alan Vega–“Prayer”
Alan Vega–“Je T’Adore”
Alan Vega–“Every 1's a Winner”
***
16 April 2021
All right, a little about me, since last week: I finished writing my chapter on _Chasing Shadows_ for _21st Century British TV Crime Drama: a Critical Guide_. It turned out 48 single-spaced pages in length. I certainly am using this series to explore and engage a considerable array of topical issues, particularly concerning matters of health, ability, difference, wellness, and especially precarity. I am now well underway in work on the next chapter, on _Close to the Enemy_, where I am testing the elasticity of ‘crime drama’ as a useful framework for interpretation with a series more readily identifiable as historical (espionage and spy) thriller. It’s been taking me awhile in my work so far on _Close to the Enemy_ but I expect to finish the synopsis before the end of the day today. I’ve found with this latest series I’ve wanted to draft each section of the synopsis, on each individual episode, following an introductory section, and then go back to revise and edit that section before proceeding to draft the next section so the whole task is taking longer than otherwise would be the case. With every one of these chapter essays I also find myself compelled to do considerable research into issues I previously knew little about, as well as need to figure out my interpretations as I proceed, in the course of writing–an exciting yet daunting challenge for sure. With _Close to the Enemy_ I am exploring and engaging conversations and debates concerning how far it is possible to stretch the conceptual category ‘crime’ as well as when and where discourses of crime and criminality–and even critical criminology–become problematically limiting and deficient, as advocates and practitioners of zemiology tend to argue. I have just finished reading Steve Tombs and Victoria Channing’s _From Social Harm to Zemiology: a Critical Introduction_, one of multiple zemiology books I have read during this sabbatical leave. I find zemiology, which focuses on social and ecological harms beyond those readily definable as crimes, and which tend to be systemic, to be an intriguing new intellectual (and activist) field of praxis.
*
The killing of Daunte Wright and Cam Toledo, as well as far too many other all too persistently outrageous racist actions committed by police against Black Americans and other BIPOC in America that I have also been following, underscore the continuing urgent need for radical transformation of policing in America, and I certainly can well understand why the Black Lives Matter movement calls for police abolition. I sympathize with this position. I am definitely bringing that perspective to bear in the work I am doing, in writing _21st Century British TV Crime Drama: a Critical Guide_. But I do offer a more modest yet nonetheless significant proposal, short of more far-reaching changes that will still prove necessary even beyond what I propose, and that is to change police practice throughout the US so police never routinely carry guns, and only access firearms in exceptional emergency situations where they need top-level pre-authorization to do so, and that means those in charge of police forces are always fully responsible, and fully accountable, for all of what happens on the rare occasions when police do use firearms. Police do not need to carry guns to do the vast amount of work police are ostensibly supposed to be doing, to protect and serve, and certainly not if police forces are serious about shifting from a ‘warrior’ to a ‘guardian’ mentality as well as practical model of what policing should aspire to be and do. After all, in other nations police do not routinely carry guns, and need top-level pre-authorization to do so in emergency situations; the US can–and should–follow those other countries’ examples. Yes, too many guns are all too readily available everywhere to too many Americans, far beyond police officers alone, with a great many of these guns maintaining no practical purpose other than to enable someone rapidly to kill a great many other people, and we do urgently need to transform this situation, but if police are supposed to protect and serve, not kill and destroy, it is entirely reasonable to demand they set a useful example by practicing peaceful means of engaging with harms and disputes as well as peaceful means of fostering and contributing to community safety and protection. It is sickening, the police murder of all too many Black and Brown boys and young men. Yes, I think of what this would be like if those murdered were family members, close friends, neighbors, co-workers, and fellow community residents–and often enough indeed they are–but I also think about what if this were me, and what if my life was violently cut off by those ostensibly empowered to protect and serve me, entirely inexcusably, at a tragically young age. In my own life-experience I have once found a sustained personal encounter with police to be positively helpful, and in fact it was considerably so, but other than that one instance every other such sustained encounter has left me at best unsettled and at worst outraged. And I write this as someone who well recognizes I am privileged as a white person not to be at constant risk of police harassment, abuse, and violence on account of the color of my skin. Change must happen.
*
I played the entire eponymous debut album of For Those I Love, aka David Balfe, last night. It is a stunningly moving expression of tremendous love for a best friend, a mate, Paul Curran, who died by suicide in his 20s in 2018, using enormous grief and passionate love as a basis for a searching reflection on David's, Paul's, family's, friends', neighbors', and community members' lives and loves, all from working class North Dublin, exploring and commenting on the ups and downs, joys and sorrows, indelible memories and searing impacts of what they have experienced that has shaped them to be who they are.
For Those I Love: I Have a Love
*
Some good news for the day: the bladder cancer for which I had surgery to remove a tumor in January has not returned, and the doctor tells me we don't need to check on this again until next January, from which point forward, if all turns out well then too, as he predicts will be the case, we will then check again, once each following year.
A blood test from last Friday suggested I might have prostate cancer, but multiple other possibilities are just as viable, and since I am asymptomatic the nurse practitioner proposed we will retest this once every three months.
I am feeling good so I am optimistic I am at present entirely cancer-free and will proceed forward with the assumption this is the case.
Life immediately ahead is full of exciting things to do, especially my two writing projects, but also with lots of reading, screening, listening, preparing prospective future classes, preparing a prospective future film series and festival, walking and running, and I am enthusiastic about taking all of this on.
*
I am saddened she has died so young. She was most impressive as the principal protagonist, Emma Banville, in the recent British TV crime drama _Fearless_.
Helen McCrory, star of Peaky Blinders and Harry Potter, dies aged 52
***
17 April 2021
A great article about one of my all-time favorite musicians. I always loved the music of Alan Vega, Martin Rev, and Suicide even when a great many others found it altogether baffling or off-putting.
Alan Vega Left a Robust Vault. The Excavation Begins With a New Album.
*
Tonight is the fourth night of celebration of Andy’s birthday (why not make it a week :)). A tremendous human being, the love of my life.


***
22 April 2021
Just to check-in quickly, for this week, tonight on Insurgence #823 I will be playing music from For Those I Love, Jello Biafra and the Guantanamo School of Medicine, Citizen, and The Underground Youth.
I have been immersed in work writing a chapter on the TV series _Close to the Enemy_ for my book in progress, _21st Century British TV Crime Drama: a Critical Guide_. I have completed the draft for the first reading in the critique section of this chapter, and next need to draft the second reading and the conclusion for the same critique section, revise/edit/proofread the whole chapter draft, and prepare and append a works cited listing.
My reaction to the jury verdict in the Derek Chauvin trial for the killing of George Floyd was, like that of many, relief that the verdict went the way it did, on all three charges. I hope this verdict will represent the beginning of real accountability and substantial reform of police practices, but that has yet to be determined and I expect it will continue to prove a long and difficult struggle to work in those directions. Yes, the jury in this trial did agree that Chauvin must be held accountable for what he did, and as a cartoonist for the _Minneapolis Star-Tribune_ indicated, that Black Lives (Do) Matter. However, this jury verdict is only a bare beginning in realizing justice, especially in any kind of genuinely restorative and transformative sense. And it does not take away from the fact that George Floyd was tragically unnecessarily killed–or that the same has happened and continues to happen to all too many especially people of color, and in particular Black boys and men, in this country, at the hands of police officers. Passing and implementing the George Floyd Justice in Policing Act would certainly be of positive value, yet so much more also needs to be done, and urgently so. These kinds of killings should not be happening; they should be intolerable–and ultimately inconceivable.
I agree with the vast majority of those who have responded critically versus the proposed European Super League, for European football (soccer), but I also believe problematic tendencies exemplified by this prospective league have already been developing, and building, for a long time now, while European football all too often is not what a great many fans would like to believe it continues to be. Following the German model, requiring that all football teams be majority fan-owned, would be a valuable start toward bringing about more far-reaching positive change.
Last week I didn’t have the time to mention Andy and I had recently screened _The Sound of Metal_, which we appreciated, and thought was well-done, not just Riz Ahmed’s performance, as impressive as that was, but also Paul Raci as Joe and the entire conceit of the camp Joe runs and the work he and others do within this camp in advocating that deafness not be engaged as a disability that renders those who are deaf lesser and deficient, such that any deaf person would do anything they possibly could to overcome their deafness, but rather an alternative way of being in the world and relating to other people. The sound design was compelling in helping audiences gain some appreciation for what Ahmed’s character Ruben Stone, and other deaf characters in the film, are experiencing, and the film, we found, moved quickly, while we also appreciated the portrayal of two characters who needed each other, when they were both struggling, Ruben and Lou, yet were able to recognize this is what their relationship enabled for each of them and that they each can and should move on, in different directions, by the end of the film.
We also around the same time watched the 2015 film _Life_ directed by Anton Corbijn, focused on the relationship that developed between _Life Magazine_ photographer Dennis Stock and James Dean as Stock pursued a photo shoot for the magazine on the actor, seemingly prompted largely by an impression, or a hunch, that Dean represented a strikingly novel kind of actor, with the resulting photo shoot contributing significantly to the star image surrounding James Dean. This was a quiet film that demonstrated a photographer’s appreciation for a photographer’s story, and prompted me to think about what I never knew or had long forgot I knew about James Dean.
As far as TV shows are concerned, of late we have been screening _The Court_, an Icelandic crime drama; _Wolfland_, a German crime drama; and several other longer running crime dramas, as well as a crime documentary, a number of gay short films, _Bannan_ (which I’ve mentioned previously, a Scottish Gaelic-language TV drama set on the Isle of Skye), and several TV quiz and design shows. I am thinking I am forgetting some of what we have viewed recently, because we have been exploring widely, but this is a sample.
Among a large number of books I am currently reading, or have just finished reading, I’ll mention Sathnam Sanghera’s _Empireland: How Imperialism Shaped Modern Britain_. I found this book most compelling, and I think Sanghera writes this book in such an accessible and engaging way that he might well be able to convince at least some apologists for the empire, or some others who are blithely content to remain largely ignorant about the empire or who believe the empire was unremarkably positive for all involved. Sanghera certainly does an excellent job showing the shaping impact of the empire pervading British culture to this day.
I have been keeping reasonably active with long walks, running, and lots of stretching, including as recommended by the physical therapist I recently met due to tendinitis in my right shoulder. Andy is doing well in slowly but surely running a little more day by day, which is all new for him, but I am confident he will continue to make good progress.
Our ten-years-old dog Casey it turns out has multiple eye problems, including cataracts in both eyes, but also irritation to the corneas which we are treating, and this has explained why he relatively suddenly seems to have been acting much older, notably slower in moving about as well as bumping into things periodically. We are doing our best to help him.
If I think of other things worth sharing I will do so within the next few days. But, all in all, we are doing well, and I hope those of you reading this are also.
*
The playlist for the 22 April 2021 edition of Insurgence
April 22, 2021
1.
For Those I Love–“I Have a Love”
For Those I Love–“To Have You”
For Those I Love–“Top Scheme”
For Those I Love–“Birthday/The Pain”
For Those I Love–“Leave Me Not Love”
2.
Jello Biafra & The Guantanamo School of Medicine–“Satan’s Combover”
Jello Biafra & The Guantanamo School of Medicine–“People With Too Much Time on Their Hands”
Jello Biafra & The Guantanamo School of Medicine–“A Boring Day is What I Need”
Jello Biafra & The Guantanamo School of Medicine–“We Created Putin”
Jello Biafra & The Guantanamo School of Medicine–“The Ghost of Vince Lombardi”
Jello Biafra & The Guantanamo School of Medicine–“No More Selfies”
Jello Biafra & The Guantanamo School of Medicine–“The Last Big Gulp”
Jello Biafra & The Guantanamo School of Medicine–“Taliban USA”
Jello Biafra & The Guantanamo School of Medicine–“Let’s Go Stare at Bloody Dead People”
Jello Biafra & The Guantanamo School of Medicine–“Tea Party Revenge Porn”
3.
Citizen–“Death Dance Approximately”
Citizen–“I Want to Kill You”
Citizen–“Blue Sunday”
Citizen–“Thin Air”
Citizen–“Call Your Bluff”
Citizen–“Pedestal”
Citizen–“Fight Beat”
Citizen–“Black and Red”
Citizen–“Glass World”
Citizen–“Writer Buds”
Citizen–“Edge of the World”
4.
The Underground Youth–“Cabinet of Curiosities”
The Underground Youth–“Letter from a Young Lover”
The Underground Youth–“I Can’t Resist”
***
3 May 2021
The last couple of weeks I have fallen short of my goal to share once a week some of what I have been up to, over the course of the preceding week. I'll share a little now. I've been working hard to write a chapter on _Close to the Enemy_ for _21st Century British TV Crime Drama: a Critical Guide_, which I finally finished yesterday evening. The chapter is 69 single-spaced typed pages long; I've used it to address a host of issues, exploring and engaging many diverse connections. As I work on these two books that I am writing they continue to move further from what I initially envisioned they would be like, but that is to be expected. I am discovering as I am writing. I will mention here the books address an audience that I suggest is closer to a cross between a scholarly audience and a general audience than the latter. But that's about all I will share for now concerning changes since I began writing last August. I will however add I have now written a total of 410 single-spaced typed pages since this January, adding to the 450 such pages I wrote from August through December last year. After writing about one more series, _The Bodyguard_, I will take a short break, as I feel about as tired as I ever do by the end of a semester, or an academic year, despite the entirely different focus and range of activity I have been pursuing. By the time I complete that chapter on _The Bodyguard_ Andy should have finished his Spring 2021 semester and we can take a short break together (staying here in Eau Claire) before I move on to yet further writing of yet additional chapters.
*
As far as the situation that has developed between Aaron Rodgers and the Green Bay Packers is concerned I will only comment it makes me sad. I don't want to make any judgments or cast any aspersions in any direction. I just feel sad. I still hope reconciliation is possible. Despite being a devoted Packers' fan for a great many years Aaron Rodgers remains the only Packers' player whose jersey I have ever purchased and worn; I've acquired a considerable amount of other Packers' gear, including two shares in the franchise, but never another player's jersey. It's been incredible to follow his career and achievements with the Packers. I am grateful for that.
*
Our dog Casey is experiencing significant new challenges, and we are with him, as his eyesight is now so poor that, as Andy says, if he were a human we would likely describe him as legally blind. Casey can't see as well as either Andy or I can when not wearing our eyeglasses, and that's definitely pretty bad. So we are learning and adapting. I feel a cringing sense of unease about some of the items that are available to help dogs like Casey because they boldly declare ‘blind dog' on them but I suppose it is just as well everyone knows, and if these devices help then that will be good. We want him to enjoy a high quality life, as far as possible, even with seriously impaired vision, and we will aim to make that happen.
*
Here's the playlist from last Thursday's playlist for Insurgence #824:
April 29, 2021
1.
Citizen–“I Want to Kill You”
Citizen–“Blue Sunday”
Citizen–“Thin Air”
Citizen–“Call Your Bluff”
Citizen–“Edge of the World”
2.
Alan Vega–“Trinity”
Alan Vega–“Fist”
Alan Vega–“Muscles”
Alan Vega–“Samurai”
Alan Vega–“Filthy”
Alan Vega–“Nike Soldier”
Alan Vega–“Psalm 68″
Alan Vega–“Breathe”
3.
Chris Pierce–“American Silence”
Chris Pierce–“Sound All the Bells”
Chris Pierce–“Chain Gang Fourth of July”
Chris Pierce–“Bring the Old Man Home”
Chris Pierce–“San Francisco Bay”
Chris Pierce–“How Can Anyone Be Okay With This”
Chris Pierce–“It’s Been Burning for a While”
Chris Pierce–“Residential School”
Chris Pierce–“The Bridge of John”
Chris Pierce–“Young Black and Beautiful”
4.
Suicide–“Juke Box Baby”
Revolutionary Corps of Teenage Jesus–“American”
Suicide–“Harlem II”
Suicide–“Cheree”
Revolutionary Corps of Teenage Jesus–“Who Cares Who Dies”
Suicide–“Dream Baby Dream”
Alan Vega–“Every 1's a Winner”
Suicide–“Ghost Rider”
*
I have been continuing active with running, walking, and stretching. Andy and I enjoyed two excellent long walks the last two days, with the warm (on Saturday hot and sunny) weather, and with the rest of the activity I have been doing the last four to five months long walks now feel very easy. but no less enjoyable. I do need to attend to more routine aches and pains surrounding physical activity, especially running, than I did when younger, and that has required some effort and patience, but I'm doing OK with that. Also, I'm struck by how seriously Mayo Clinic Health Systems Eau Claire has taken physical therapy, as I've now had three consecutive weekly sessions for tendinitis in my right shoulder, received two series of dry needle treatments, and each week received a new batch of stretching exercises I am instructed to do. I'm almost at the point of wishing these appointments would end just so I'm not asked to add even more stretching exercises onto the list I've already accumulated that I'm supposed to do in a series of reps twice each day. Adding these stretching exercises to learning how to do dynamic stretches for running, as opposed to static stretches (which is what I learned long ago), I'm trying to do a lot of stretching these days. I hope it helps me, long-term.
*
I will just close for now by mentioning as my 60th birthday is due this Thursday I find it hard to believe I am that old, and I'm amazed all that time has passed. Even if I certainly do experience the physical wear and tear of aging, in multiple ways and to multiple degrees, I often still think about and feel myself to be a young person, or at least not an old person. Nevertheless, I do find myself experiencing more of a personal sense of antipathy towards instances of ageism, whenever and wherever I encounter these, such as versus those Republican critics of President Biden who can't seem to find anything else to focus their criticism on other than he looks, sounds, and acts ‘old', while falsely imagining this necessarily means he is incapable. I watched and listened to his address to Congress last week and I found it neither ‘boring' nor at all like ‘watching and listening to a corpse'. Absurd. As for the lazy all-purpose charge of ‘socialism': Biden's proposals at best are ‘social democratic', not ‘socialist', as they don't encompass collective ownership (worker/community/public ownership) of social wealth. And besides which, why shouldn't government, and the larger state, do more than facilitate capital profit and accumulation as well as provide for military and closely related kinds of expenses–why not tackle major social problems that private interests, and market forces, cannot alone effectively even begin to address (and if anything for which they are often chiefly responsible). That doesn't even require socialism, per se.
*
Happy Monday and a belated May Day greetings everyone!
***
6 May 2021
60 years old today. Hard to believe. I am doing well.


***
7 May 2021
I want to thank everyone for all your fantastic happy birthday wishes and greetings. I am sincerely grateful for you taking the time to recognize me, on this occasion, and wish me well. I most definitely appreciate my connections with all of you.
Yesterday I prepared my radio show which I dj-ed later that night featuring music from Cabaret Voltaire, Snapped Ankles, and Fontaines D.C. 825 consecutive weeks running now, and 43 weeks through year sixteen!
I also began reading each of seven different books. I do this to get an initial good sense of what they will each be like, and what I am likely to experience, and discover, as I proceed; then I zero in to focus on finishing one to three at a time.
I brainstormed how I will approach the sections of the chapter I will be shortly drafting on the 2018 British TV political thriller/crime drama _The Bodyguard_ (written by Jed Mercurio and starring Richard Madden and Keeley Hawes), which is where I presently am at in ongoing work writing two books.
Andy and I went to lunch at the Acoustic Cafe and had dinner at home. We watched an episode of _Dresden Detectives_. We also are continuing to work to adjust, and help Casey adjust, to Casey now being, for all ostensible purposes, a blind dog. Quite a change, and quite a challenge.
And I did some physical therapy stretching exercises. Today I hope to run this afternoon. I try to run 3-5 miles every other day, and at least a couple times a week walk at least 6-9 miles.
Those are the highlights from yesterday. Andy suggests we will continue to celebrate my 60th birthday this weekend.
I look forward to continuing to be actively engaged, productive, contributing, and of use, as well as to continuing to explore and discover, for many years yet to come. I don't have any particular ‘wisdom' to share on what it means to reach the age of 60 because I doubt it makes sense to generalize widely from my own experience. But life does feel like it goes very fast, and I think I am all the more aware of this of late than in the past, even though this pace of life's passing was hardly something I ever previously ignored, and I want to make the best of my life for as long as I can.
I wish everyone health and happiness and peace and love.
Bob
***
8 May 2021
Casey wearing the halo and wings device for blind and visually impaired dogs we have recently acquired. We are working on a number of techniques and with a number of devices to help him, and us, adapt as best we can. With this device, with increased familiarity, he should become more confident resuming greater mobility as he won’t hit his head against obstacles he can’t see but the ‘halo’ will do so instead. I wish we didn’t have to resort to these kinds of measures but we want him to feel more comfortable once again to move about more widely. He always used to love to move about, to walk and run. We hope he will get back to that before too long ahead.



***
13 May 2021
Tonight on Insurgence, Insurgence #826, the 44th show of year 16 of Insurgence, DJ Sean Murphy will play music from Godspeed You! Black Emperor, Dry Cleaning, and Viagra Boys. As always, you can listen to Insurgence from 10 pm to midnight US Central Time, on WHYS Community Radio, 96.3 FM Eau Claire, and also, streaming, at: www.whysradio.org
*
Since it has been several weeks since I provided a summary overview of what I have been doing I will do so again now.
My major focus of attention has been work on writing chapters for _21st Century British TV Crime Drama: a Critical Guide_. The most recent two have chapters have taken, and are taking, three weeks.
With _Close to the Enemy_ I needed to work harder to figure out what to do with that show because it is an unconventional choice to include in a book focused on ‘crime drama’ and also because with each chapter I am striving to make connections and engage issues, as well as illustrate concepts and methods, I have not yet previously dealt with in preceding chapters.
Each chapter requires doing a lot of reading and research to determine what those connections, and issues, will be, along with how best to address them in connection with the TV show in question.
I also feel a sense of ‘end of the semester fatigue’ even though I am on full-time scholarly leave, and after completing work on the show I am currently writing about, _The Bodyguard_, I will take a short break to rejuvenate.
With that last chapter on _The Bodyguard_ I will have written a total of 14 chapters since August 1, 2020, on my two books, _21st Century British TV Crime Drama: a Critical Guide_ and_ Ian Curtis, Joy Division, and Critical Theory_. The total I need to complete is 30 chapters between the two books, which means it is certainly possible that I can finish by the end of my next year of scholarly leave, even though, once again, this will require I devote the overwhelming majority of my working time and energy to these projects.
_21st Century British TV Crime Drama: a Critical Guide_ has changed more than _Ian Curtis, Joy Division, and Critical Theory_ since I began writing last August 1st as each chapter centered on a specific crime drama involves me making so many connections and engaging so many issues that these chapters have become lengthy and elaborately detailed, meaning I only need address a total of 23 shows in this way to have more than amply demonstrated and illustrated all of what I set out to accomplish with this book.
This summer I hope to write four chapters, two for each book: on the shows _New Blood_ and _Hinterland_ for _21st Century British TV Crime Drama: a Critical Guide_ and with _Ian Curtis, Joy Division, and Critical Theory_ one chapter will stage an encounter and dialogue between Ian Curtis and Joy Division as artistic and cultural phenomenon and Karl Marx’s _The Economic and Philosophic Manuscripts of 1844_, Émile Durkheim’s _Suicide: a Study in Sociology_, and Sigmund Freud’s _Civilization and Its Discontents_ while a second chapter will stage an encounter and dialogue between Ian Curtis and Joy Division as artistic and cultural phenomenon and Max Weber’s _Protestant Ethic and the Spirit of Capitalism_, Louis Althusser’s _On the Reproduction of Capitalism: Ideology and Ideological State Apparatuses_, and Michel Foucault’s _Discipline and Punish_.
The last two chapters of _Ian Curtis, Joy Division, and Critical Theory_ will involve, on the one hand, Aimé Césaire’s _Discourse on Colonialism_, Edward Said’s _Representations of the Intellectual_, and Trinh T Minh-ha’s _Woman, Native, Other: Writing, Postcoloniality, and Feminism_, and on the other hand, Avery Gordon’s _Ghostly Matters: Haunting and the Sociological Imagination_, Robert McRuer’s _Crip Theory: Cultural Signs of Queerness and Disability_, and Ann Cvetkovich’s _Depression: A Public Feeling_.
Other TV shows I will address in future chapters of _21st Century British TV Crime Drama: a Critical Guide_ are _Unforgotten_, _Life on Mars_, _Broadchurch_, _The Fall_, _Inspector George Gently_, _Shetland_, _Suspects_, _Happy Valley_, _Line of Duty_, and _Sherlock_.
*
As I mentioned recently to my friend and colleague Joel Pace, this ‘sabbatical’ has been highly productive for me, and I am doing well, but I nevertheless greatly miss working closely with students and I sincerely miss my many wonderful colleagues as well.
But, as I also mentioned just the other day to my mother, absolutely no way could I have possibly done the work I am doing while otherwise working even part-time teaching and attending to institutional service.
Away from that kind of work this past year I recognize how many daily stresses and strains the job includes that I often don’t even think about as such, which include all the miscellaneous forms, surveys, other responses, meetings, discussions, and attempts to make sense of and figure how best to address and work with ever-changing plans, goals, processes, and so on that administrations are always developing, proposing, and implementing–as well as frequent challenges with technology, hardware and software, in the physical classroom and in the virtual classroom, along with a vast extent of questions and concerns students always bring to bear, along with a real need to invest a considerable effort to be sensitive and responsive to difficulties and challenges students always are experiencing in their lives.
It is extremely difficult to ‘turn all of that off’, even during evenings and on weekends, although I had been doing better in recent years, mostly just accepting it had become too exhausting not to set and adhere to necessary limits.
When I return to full-time teaching and institutional service I am confident I will do all that much better at setting and adhering to even more necessary limits because I now most definitely highly value the opportunity to read, write, and think in relationship to scholarship and scholarly projects, as well as to attend to my physical and mental health proactively and not just reactively, along with saving time, as we used to say back in grad school, ‘just to be human once again’.
*
I am reading many books, but three I recently completed are particularly worthy of mention, and recommendation, here and now:
1. Guy Standing, _A Precariat Charter: From Denizens to Citizens_ a follow-up to his earlier book _The Precariat: The New Dangerous Class_. As publisher Bloomsbury aptly describes this book:
Guy Standing's immensely influential 2011 book introduced the Precariat as an emerging mass class, characterized by inequality and insecurity. Standing outlined the increasingly global nature of the Precariat as a social phenomenon, especially in the light of the social unrest characterized by the Occupy movements. He outlined the political risks they might pose, and at what might be done to diminish inequality and allow such workers to find a more stable labour identity. His concept and his conclusions have been widely taken up by thinkers from Noam Chomsky to Zygmunt Bauman, by political activists and by policy-makers. This new book takes the debate a stage further, looking in more detail at the kind of progressive politics that might form the vision of a Good Society in which such inequality, and the instability it produces, is reduced. _A Precariat Charter_ discusses how rights – political, civil, social and economic – have been denied to the Precariat, and argues for the importance of redefining our social contract around notions of associational freedom, agency and the commons.
I like Standing’s work, his ideas, and his arguments; he offers many most compelling radical yet practical proposals in his charter and I think all of them–all 29 articles–are fully worthy of support, and adoption.
2. David Scott, _For Abolition: Essays on Prisons and Socialist Ethics_. As publisher Waterside aptly describes this book:
According to Jonathan Swift (1667-1745) ‘Laws are like cobwebs, which may catch small flies, but let wasps and hornets break through.’ Connecting the politics of abolition to wider emancipatory struggles for liberation and social justice, this book argues that penal abolitionism should be understood as an important public critical pedagogy and philosophy of hope that can help to reinvigorate democracy and set society on a pathway towards living in a world without prisons. _For Abolition_ draws upon the socialist ethics of dignity, empathy, freedom and paradigm of life to systematically critique imprisonment as a state institution characterised by ‘social death’. A systematic critique of imprisonment which challenges established views and myths. Examines why there still exists so much political and other misguided support for a long failing institution.
I was already supportive of penal abolition before reading this book but Scott adds considerably to the case that can and must be made that prisons and imprisonment are unethical. Scott’s elaboration of a libertarian socialist ethics is as interesting as are his reports and discussions of reflections from prisoners and prison guards about what prison is like, and how it results in ‘social death’.
3. Mark Neocleous, _A Critical Theory of Police Power_. As publisher Verso aptly describes this book:
Neocleous argues for an expanded concept of police, able to account for the range of institutions through which policing takes place. These institutions are concerned not just with the maintenance and reproduction of order, but with its very fabrication, especially the fabrication of a social order founded on wage labour. By situating the police power in relation to both capital and the state and at the heart of the politics of security, the book opens up into an understanding of the ways in which the state administers civil society and fabricates order through law and the ideology of crime. The discretionary violence of the police on the street is thereby connected to the wider administrative powers of the state, and the thud of the truncheon to the dull compulsion of economic relations.
Of these three books this is probably my favorite because it is the most stunningly and usefully provocative. Neocleous offers a rigorous Marxist critical theory of police and policing that shows how intrinsic police power is, and always has been, to the capitalist state. This book, like the best of books, challenged my preconceptions and forced me to rethink how I understand police and policing and why.
*
We continue to screen many TV shows late at night, often a significant number of series at any one time, and I undoubtedly won’t recall all of those worth mentioning here but I’ll cite a few:
_Man in Room 301_, a Finnish crime and family drama that does an excellent job of maintaining suspense:
https://watch.mhzchoice.com/man-in-room-301;
_The Typist_, a German crime and again family drama, that involves a principal protagonist who compellingly defies perception of what kinds of character she is, and of what she is capable of and willing to do: https://watch.mhzchoice.com/the-typist; and
_Grace_, starring John Simm as the title character, who I always like, playing a police detective based in Brighton, and based on a series from writer Peter James: https://deadline.com/…/britbox-grace-john-simm-itv…/
*
Otherwise, too many social and political issues ‘in the news’ are engaging my current attention, and are matters of my active concern, for me at present to even begin to address in this space, here and now.
But I am continuing to do my best to stay healthy–long walks last weekend, on both Saturday and Sunday, and continuing regular running, including a 5-mile run late this morning/early this afternoon.
The online trainer I have been working most closely with, who himself is an ultramarathon runner, running 100 mile races, advises always setting goals in running, including with every individual run one does, which seems somewhat more serious than where I am at in my life, at present, although entirely understandable for him, but I’ve been thinking a goal I might reasonably aspire toward is to be able to run 10K races (i.e., 6.2 miles). We’ll see.
This summer Andy and I will probably pick up the pace by doing biking and hiking as well as walking and running. I look forward to it.
Beyond that, our dog Casey’s blindness, which did come on disturbingly fast, and although not complete is close to it, provides us and him with plenty of new challenges.
We have now arranged an appointment with a dog ophthalmologist in the Twin Cities in June, at which time, if it makes sense to do, Casey will have eye surgery.
I know for some that might seem as if we going to an extreme ‘for a dog’, but Casey’s been an important member of our family since we first adopted him and we both feel when we adopt a pet we make an effective promise to do everything we possibly can (afford to) do to take care of that pet, and for as long as we can; pugs tend to live longer than larger dogs, so if Casey’s eyesight can be improved even somewhat while he also grows more comfortable with being visually impaired, he could easily live five or more (good) years yet.
I’ve joked with Andy recently about wanting eventually to adopt a German Shepherd puppy, who we could train to do all kinds of things, and who could go on extended runs, walks, and hikes with me, but Andy’s not so sure about such a big dog, entirely understandably.
That’s about it for this week. Once more I greatly appreciate everyone who wished me a happy 60th birthday on and around the 6th of May, and who shared comments on that occasion or otherwise shared thumbs up, and love, responses to the photos I shared of me on that day.
That’s truly fantastic of you all, especially as I don’t normally these days gain a great many opportunities to interact extensively with many people so it makes me feel good to know many other people out there like, care about, and appreciate me.
All the best to all of you!
***
20 May 2021
Tonight on Insurgence #827, the 45th show of year 16 of Insurgence, Sean Murphy will share music from Godspeed You! Black Emperor, Squid, Tom Morello & Pussy Riot, Mary Bleeds, Burning Flag, Rudimentary Peni, Viagra Boys, and Dry Cleaning. As always 10 pm to midnight on WHYS, Eau Claire Community Radio, 96.3 FM Eau Claire and streaming, via the web, at:
www.whysradio.org
I am quite busy focused elsewhere and otherwise at present so unfortunately do not have the time to determine what else I might share of potential interest here, or how I might formulate my explanation for doing so in an least a modestly thoughtful way, which I try to do, but am sure I don't always succeed. Next week I may be in a better position to be more expansive. Andy tells me people on Facebook tend to especially like photos, and relatively lighter and happier posts, understandably so; I will keep that in mind and see what I can come up with.
My best regards to all of you.
*
The playlist for my 20 May 2021 Insurgence show:
May 20, 2021
1.
Godspeed You! Black Emperor–“Fire at Static Valley”
Godspeed You! Black Emperor–“OUR SIDE HAS TO WIN (for D.H.)”
2.
Squid–“Resolution Square”
Squid–“G.S.K.”
Squid–“Narrator (featuring Martha Skye Murphy)”
Squid–“Boy Racers”
Squid–“Paddling”
Squid–“Documentary Filmmaker”
Squid–“2010”
Squid–“The Flyover”
Squid–“Peel St.”
Squid–“Global Groove”
Squid–“Pamphlets”
3.
Tom Morello & Pussy Riot–“Weather Strike”
Mary Bleeds–“Mary”
Mary Bleeds–“Riddle”
Burning Flag–“Thrown Out”
Burning Flag–“All the While”
Rudimentary Peni–“Anthem for Doomed Youth”
Rudimentary Peni–“The Old Lie”
4.
Viagra Boys–“Into the Sun”
Dry Cleaning–“Her Hippo”
Viagra Boys–“Ain’t Nice”
Dry Cleaning–“New Long Leg”
Viagra Boys–“I Feel Alive”
***
27 May 2021
Last night Andy and I celebrated the effective end, for both of us, of the spring 2021 semester and the entire 2020-2021 academic year.
Andy completed a full-year of teaching and running the Math Lab under pandemic conditions, facing up to all of the challenges and difficulties this involved, and even through one of the most arduous years he made it and is doing well, already enjoying the freedom that follows from submitting final grades as well as the assessment report for all of the Math 112 classes.
I completed my first full year of 100% scholarly leave, finally by late afternoon yesterday finishing writing my chapter on _The Bodyguard_ as part of _21st Century British TV Crime Drama_, and as of this past year now finished writing 14 of the 30 chapters that will comprise the two books I am writing: _21st Century British TV Crime Drama_ and _Ian Curtis, Joy Division, and Critical Theory_. During this time I have now written over 1000 single-spaced typed pages, which I estimate is almost four times the total number of pages I wrote for my PhD dissertation, read well over 100 books related to what I am writing, as well as also read numerous articles of a great many different kinds also relevant to what I am writing. For example, the most recent chapter I wrote contains five single-spaced pages of works cited at the end.
In this last chapter I just wrote I have engaged connections with many issues, including counter-terrorism and the counter-terrorism state, police power and state power, trauma and PTSD, the war in Afghanistan, ‘the war on terrorism’, ‘collateral damage’, Islamophobia, structural issues and systemic problems versus conspiracy theories, the classic and contemporary noir hero, changing masculinities, suicide bombers and suicide bombing, mental distress and social crisis, security and insecurity, neo-liberalism and precaritization, austerity, pandemic and post-pandemic capitalism, state surveillance and spying, erosion of civil liberties and human rights, threats to the right to public protest, people as multiple/complex/and contradictory versus difficulty and refusal to recognize and respect this, finding commonalities and forging connections across different backgrounds/experiences/political identifications and affiliations, police reform versus police abolition, qualities and characteristics that make jobs appealing and fulfilling, alienation and anomie, libertarian and democratic socialist ethics and the paradigm of life–and more.
I am listing the preceding here in part to explain why I’m finding little time left over to offer quick comments on a host of new and continuing issues of social and political concern, that I in fact do care about and following closely, at least in placing like Facebook–because I am spending so much effort engaging connections with similar issues in the writing I am doing.
I am going to take a few days break, a brief vacation (or holiday as they put it in Britain), before resuming work toward writing yet further chapters. Much more to come. But I feel like I’ve done well in getting to where I presently am at, and I am impressed and proud as always of how well Andy has done in his work. It is important to be able to stop now and then and celebrate arriving at a point like we at present both have.
The Bodyguard
*
Tonight on Insurgence #828, episode #46 of year #16 of Insurgence Sean Murphy will be sharing music from Squid, Brodka, Jessica Winter, DRAG, Honey I'm Home, Hector Who Lived and Immy Oak, Dunayev, Sylvia Baudelaire, Lynks, Arek Klusowski, Rozazani, Muffintops, Biped featuring TLK, Bendy Wendy, Fixed Lens, Rudimentary Peni, Viagra Boys, and Dry Cleaning. 10 pm to midnight US Central Time on WHYS Community Radio, 96.3 FM Eau Claire and also streaming via the web at www.whysradio.org
https://phatbristol.squarespace.com/pro…/poland-has-a-task
*
Andy and I have enjoyed the opportunities recently to take some enjoyable long walks about Eau Claire while I have also continued running regularly 3-5 miles at a time and Andy is working on running steadily more as well which I am very happy to be doing, including running multiple days in a row. I still have a ways to go before reaching the point where I regularly and comfortably run 5-7 miles at a time, every time I do, which is my ultimate target but I feel optimistic I will get there. I can’t easily take a photo of myself running though
. Maybe at some point Andy will and I will share that.








*
The playlist for the 27 May 2021 edition of Insurgence:
May 27, 2021
1.
Squid–“Narrator (Featuring Martha Skye Murphy)”
Squid–“Boy Racers”
Squid–“Paddling”
Squid–“Global Groove”
Squid–“Pamphlets”
2.
Brodka–“Holy Holes”
Jessica Winter–“Sleep Forever”
DRAG–“The Package (or Derek the Sex Robot)”
Honey, I’m Home–“Mind”
Hector Who Lived/Immy Oak–“Friend to Friend”
Dunayev–“Madam Kusz”
Sylvia Baudelaire–“Bratz”
Lynks-“Don’t Take it Persnal (Apocalypse Version)”
Arek Klusowksi–“Antarktyda”
Rozazani–“Changing My Mind”
Muffintops–“Not a Girl”
Biped featuring TLK–“SODOMIZED NO MORE”
Bendy Wendy–“We Love You”
4.
Rudimentary Peni–“Anthem for Doomed Youth”
Fixed Lens–“Extinction”
Rudimentary Peni–“Crimson Son”
Rudimentary Peni–“Path of Glory”
Rudimentary Peni–“Mental Cases”
Rudimentary Peni–“Asleep”
5.
Rudimentary Peni–“Blood for Seed”
Rudimentary Peni–“A Soldier’s Dream”
Rudimentary Peni–“Strange Meeting”
Rudimentary Peni–“Witness”
Rudimentary Peni–“The Old Lie”
***
29 May 2021
For those on the lookout for books to read you might find this list of books that notable writers identify as inspiring them of interest.
Dreaming of a better future? Ali Smith, Malcolm Gladwell and more on books to inspire change
***
31 May 2021
This book has rightly received considerable attention upon its recent publication, including for example a (highly positive) lead review in this Sunday’s New York Times Book Review section. I also highly recommend America on Fire. I am reading it currently, slowly and carefully. Elizabeth Hinton’s offers a relentlessly devastating chronicle and critique of systemic racism in the US, after and continuously after, the more well-known rebellions of the 1960s. These are not riots Hinton argues, but rather rebellions against systemic racism.
America on Fire: The Untold History of Police Violence and Black Rebellion Since the 1960s
***
2 June 2021
I feel saddened that Naomi Osaka has had to put up with what she has but it is promising that steadily more prominent younger women athletes are pushing back and insisting that their health and well-being be treated with serious respect.
Naomi Osaka and the Power of ‘Nope’
*


This continues to be a most important message. I will never fully overcome the impact of a great many years in which being openly gay meant meeting suspicion, fear, distrust, ignorance, scorn, condemnation, hostility, and indeed hatred every day. At my first Pride marches and rallies (and that’s what they were back then) I couldn’t help but cry when various family members and friends got up and told all of us assembled that they were proud of and loved their lgbtq family member or friend. And they didn’t need say much more. At the time it stood out in such stark but vitally necessary contrast with what so many of us experienced so often every day. And versus what we had marched through and past on the way to these rallies. People need friends and family to let them know they are proud of them, and love them, for whom they are. And lgbtq people have often needed this a great meal because we have experienced and frequently enough long experienced so much of the opposite.
*
I am going to share, in a series of short posts, which are easier to take that way, an update on what I have been doing, in a little more detail, than I have had a chance to share here recently, as I was working hard to meet my target in writing chapters for my two books in progress, by the 27th of May–which I did make, and I am pleased by that. I figure anyone stopping by my Facebook page, or catching my posts in their feeds, are likely to be at least potentially interested in what I am up to and how I am doing, while I figure if I’ve come across something, in the way of reading, music, or TV shows/films I’ve appreciated others might as well so no harm in sharing in the event that might prove the case.
*
After Andy and I celebrated, last Wednesday night, the end of both of our Spring 2021 semesters and the 2020-2021 academic year, even though my version of each of these terms was unusual, spent on 100% scholarly leave writing two books, I experienced a short-term flare-up of my chronic digestive health disorder, but that didn’t cause too much distress for too long and wasn’t all that surprising as I often do tend to feel a bit sick at the end of a term, as if I have been unconsciously postponing doing so until I could take the time for it. The flare-up was gone by the start of this week, and we nevertheless managed two long walks this past weekend, one Saturday and one Sunday, along now familiar routes we take here in Eau Claire, and which we both continue to enjoy and eagerly anticipate.
*
Tomorrow night on Insurgence, #829, the 47th show of year 16 of Insurgence I will be playing music from Squid, Fixed Lens, black midi, Mustafa, Dry Cleaning, and Viagra Boys. As always Thursdays 10 pm to midnight US Central Time, on WHYS Community Radio, 96.3 FM Eau Claire, and streaming, via the web, at: www.whysradio.org I have also just acquired a significant amount of exciting new music that I look forward to sharing on future Insurgence shows in the weeks ahead, and am greatly enjoying becoming familiar with all of it. I especially like Squid as their debut full-length album is so far one of my favorites of 2021 yet all the others I will be playing tomorrow night are well worthwhile too.
https://squidband.uk
https://www.youtube.com/watch?v=FALVm8ruHlI
https://bmblackmidi.com
https://nowtoronto.com/…/mustafa-when-smoke-rises-album…
https://drycleaning.bandcamp.com
https://www.vboysstockholm.com
*
I start up work in earnest once again next Monday the 7th on writing more (further chapters) of my two books in progress, but in the meantime I’ve read a couple of crime and thriller fiction novels: _Water Like a Stone_, the 11th in Deborah Crombie’s Detective Superintendent Duncan Kincaid and Detective Inspector Gemma James series. I also read Tom Rob Smith’s _The Farm_. I especially liked the latter; it’s his first novel I’ve read although the TV show for which he wrote the screenplay, _London Spy_, is definitely a major personal favorite.
Water Like a Stone
The Farm
Story Behind Tom Rob Smith's The Farm
*
Among other books I’ve read recently are _Biracial Britain: a Different Way of Looking at Race_, written by Remi Adexoya, a Polish-Nigerian writers and politics faculty member at the University of York.
Adexoya here has collected and shared 25+ stories from biracial and multiracial Britains, representative of a considerable diversity of perspectives and experiences. These individuals manifest many divergent takes on what being biracial, or multiracial, in Britain, has meant and does mean to and for them, but in every single case this identity has proven significantly shaping of their life-experience in myriad directions, and these Britons, especially younger Britons, are increasingly openly and proudly preferring to identify as biracial, multiracial, or, as is widely acceptable in Britain where it is conceived to denote a neutral or positive conception of identity, versus here in the US where it it not, as ‘mixed race’.
At times I wished the book offered a more elaborate theoretical framing as well as more elaborate historical and cultural contextualization, but I respect Adexoya’s reasons for deliberately not wanting to do that, and for concentrating on sharing people’s stories instead.
I did find these stories compelling, and was struck by how important it is to take carefully into account a wide intersection of social identities and experiences in understanding what being biracial or multiracial can and does mean.
Likewise it matters a great deal which specific racial, ethnic, religious, and cultural constituents contribute to this identity as well as how people grew up and connected with, or didn’t grow up and connect with, these various particular elements of their biracial or multiracial identity, along with how this varied at different times and in different places.
In other words, it can be problematic to generalize about what their ethnic inheritances mean to people who maintain different kinds of Indian or Nigerian ethnic inheritances, just as it can be problematic to do so about people maintaining Jamaican versus Trinidadian versus Ghanian versus Ugandan versus Kenyan versus Iranian versus Lebanese versus Pakistani versus Polish versus Swedish versus Jewish versus Scottish versus German versus Welsh versus Irish etc. ethnic inheritances, and it is important to take into account not only how constituent elements of biracial or multiracial identity precisely intersect but also how these are shaped by growing up and living the vast majority of life in Britain.
I did find it interesting that many of the younger contributors sharing their stories in this book prefer to identify themselves as, for example, a Lebanese-Jamaican Londoner, and not as British, or, especially, not as English even as British citizens who were born and who have lived most if not all of their lives in England.
Remi Adexoya
Biracial Britain: A Different Way of Looking at Race
*
Another book I am currently reading, _Englishness: the Political Force Transforming Britain_ by Alisa Henderson and Richard Wyn Jones, results from an intricate array of in-depth surveys, as well as statistical analyses of the data generated from these surveys, in sketching out what constitute principal constituent features of Englishness, or English nationalism, today, and contribute toward explaining its current political power.
Much of this contemporary English nationalism is largely politically and culturally conservative, and is closely linked with a sense of grievance, and resentment, that Englishness has, supposedly, not been given its due respect and appreciation, within the UK as a whole and especially as part of the European Union, but it is not entirely conservative, while increased decentralization of real political power and authority to English regions and communities would I believe present a significant progressive opportunity–‘municipal socialism’ of the kind that the town of Preston in particular has attracted a lot of attention and acclaim for, as well as the rising appeal, across the political spectrum in many areas of the UK today, for a universal basic income are promising trends.
https://global.oup.com/…/englishness-9780198870784…
*
I also recently completed reading _Critical Issues in Policing: Contemporary Readings, edited by Roger G. Dunham, Geoffrey P. Albert, and Kyle D. McLean, 8th edition, an over 700 pages long textbook, for upper level courses in criminal justice and closely related fields, which is focused on the US, and does concentrate on problems with policing, as well as responses to these problems, along with how policing has changed and is changing.
The authors by and large, while consistently supportive of the value of reforms, believe police and policing are not only vital and necessary but also ultimately forces for right and good.
Nevertheless, despite leaving out more radical critiques and calls for transformation and supersession, this book is useful in surveying and analyzing a considerable range of social scientific research into theories and practices of policing in the US, as well as into how policing has adapted and responded to criticism–and to crisis.
The collection also contains a number of influential major statements in the recent history of ‘police science’, and it is unfortunate timing for the editors that they sent off the text to the publishers after the COVID-19 pandemic had developed and led to lockdowns and closedowns, but before they were able to take into account the police murder of George Floyd and the widespread protests against systemic racism, with a frequent preeminent focus on problems with police and policing, throughout last summer.
I am sure the editors would have addressed all of that, as they do take pains to reference the most recent issues and controversies throughout their book.
Critical Issues in Policing Contemporary Readings Eighth Edition
*
Today I also just received copies of four books I look forward to reading soon:
1. _Coronavirus, Psychoanalysis, and Philosophy: Conversations on Pandemics, Politics, and Society_, edited by Fernando Castrillón and Thomas Marchevsky
Coronavirus, Psychoanalysis, and Philosophy Conversations on Pandemics, Politics and Society
2. _Revisiting Crimes of the Powerful: Marxism, Crime and Deviance_, edited by Steven Bittle, Laureen Snider, Steve Tombs, and David Whyte
Revisiting Crimes of the Powerful Marxism, Crime and Deviance
3. _Marxism and Criminology: a History of Criminal Selectivity_, by Valeria Vegh Weis
Marxism and Criminology: A History of Criminal Selectivity A History of Criminal Selectivity
4. _The Politics of the Police_, 5th edition, by Benjamin Bowling, Robert Reiner, and James Sheptycki
https://global.oup.com/…/the-politics-of-the-police…
*
Andy and I have been watching great many TV shows/series, so it would be hard to remember let alone recount and comment on them all but a few I would recommend are:
_The Wall_, a Quebecois crime drama
_Capitani_, a Luxembourgian crime drama
and
_Crimes of Passion_, a Swedish crime drama
The first takes place in one of the most bizarre settings I have encountered in a TV crime drama, a far Northern Quebec mining community, the second in small-town Northern Luxembourg, and the third in a variety of small-town to rural settings in 1950s Sweden.
The Wall – Cover Your Tracks (La Faille)
CAPITANI | Trailer | Luxembourgish crime TV series
Crimes of Passion: Stylish and Steamy Swedish Mystery Series
*
Last comment for this ‘weekly update': I am continuing to enjoy and appreciate life, relishing the pleasures of little moments as well as large accomplishments, doing what I am doing, and spending quality time with Andy and our pets. It continues sad how challenging being blind is for Casey, and how much he has had to adjust, along with us as well, but we are cautiously hopeful that come eye surgery on the 17th of this month he will be able to see once again, and that will make him happier, and inclined to move about and enjoy the world around him more freely and easily.
Best regards everyone.
*
Playlist for 3 June 2021 Insurgence show:
June 3, 2021
1.
Squid–“Paddling”
Squid–“Global Groove”
Squid–“Pamphlets”
2.
Fixed Lens–“Written in Red”
Fixed Lens–“Extinction”
Fixed Lens–“Recognition”
Fixed Lens–“Put Your Hand Through the Plastic”
Fixed Lens–“The Attic of My Heart”
Fixed Lens–“Concrete and Glass”
3.
black midi–“John L”
black midi–“Marlene Dietrich”
black midi–“Chondromalacia Patella”
black midi–“Slow”
black midi–“Diamond Stuff”
black midi–“Dethroned”
black midi–“Hogwash and Balderdash”
black midi–“Ascending Forth”
4.
Mustafa–“Stay Alive”
Mustafa–“Air Forces”
Mustafa–“Separate”
Mustafa–“The Hearse”
Mustafa–“Capo (Featuring Sampha)”
Mustafa–“Ali”
Mustafa–“What About Heaven”
Mustafa–“Come Back”
5.
Squid–“Boy Racers”
Dry Cleaning–“Strong Feelings”
Viagra Boys–“To the Country”
Viagra Boys–“In Spite of Ourselves (Featuring Amy Taylor)”
The Kinks–“Lola”
***
6 June 2021
It was an extremely hot day yesterday but I felt good being outside even so, as with proper sunblock protection and bringing fluids along with us Andy and I nevertheless took our nearly three-hours’ long nine miles plus walk with a stop for ice cream 2/3 of the way through and another shortly after to put Andy’s radio show (This Week Out in the Chippewa Valley) into the system at the station to run later that night. Thursday I mentioned maybe I’d share some photos of me running so I did a little running for Andy to snap photos of me doing so while in Carson Park. I recently developed my first injury from running again regularly since this January other than delayed onset muscle soreness, a lower inner calf muscle strain/sprain, but I have been taking care of it, and long walks are good cross training. I am learning about more and more stretches as I proceed with running regularly (and responding to/preventing running injuries). Running at my age requires a lot more of that than when I was a younger. It was an excellent day. I finished reading a fourth novel for the week and started a fifth, we made one of our favorite dinners together, and we watched two new crime fiction TV series as well as a reality TV cooking competition show. And earlier we shopped for the week’s groceries, still feeling a bit strange not wearing masks while doing so. Also I read some more of Elizabeth Hinton’s America on Fire as well as selected music for this coming Thursday’s show as well as spent time just enjoying our cats, time together with Andy, and time together with Casey who is becoming more accepting of being blind. Glancing through FB posts and noting Jon Loomis mentioning the cocktail he prepared and was having while asking others about what they were drinking, I’ll just close by adding I still like to close out a fine day with nothing but a small glass of single malt Scottish whisky while Andy prefers port (red, ruby or LBV, not tawny). Cheers everyone.




***
10 June 2021
This week on Insurgence Sean Murphy is playing music from Mustafa, Adrian Crowley, Soft Kill, FACS, The Linda Lindas, Tom Morello & Pussy Riot, Lula Wiles, Femi Kuti & Made Kuti, The Supremes, black midi, and Squid. 10 pm to midnight US Central Time, this Thursday and every Thursday, on WHYS Community Radio, Eau Claire: 96.3 FM, Eau Claire, and streaming, via the web, at: www.whysradio.org Insurgence #830, show #48 of year #16 of Insurgence.
https://www.nytimes.com/…/mustafa-when-smoke-rises.html
https://www.adriancrowley.com
https://anopendoor.bandcamp.com/…/not-quite-dracula-music
https://www.allmusic.com/artist/facs-mn0003718618/biography
https://www.youtube.com/watch?v=J5AhU5Q7vH0
https://www.nme.com/…/tom-morello-and-pussy-riot-team…
http://www.lulawiles.com
https://www.pri.org/…/femi-kuti-and-made-kuti-continue…
https://classic.motown.com/artist/the-supremes/
https://bmblackmidi.com
https://squidband.uk
Here's the playlist for what I actually played last night on this show:
June 10, 2021
1.
Mustafa–“Stay Alive”
Mustafa–“The Hearse”
Mustafa–“Capo (Featuring Sampha)”
Mustafa–“Ali”
Mustafa–“Come Back”
2.
Adrian Crowley–“Northbound Stowaway”
Adrian Crowley–“I Still See You Among Strangers”
Adrian Crowley–“Underwater Song”
Adrian Crowley–“Bread and Wine”
Adrian Crowley–“A Shut-In’s Lament”
Adrian Crowley–“The Colours of the Night”
Adrian Crowley–“The Singalong”
Adrian Crowley–“Ships on the Water”
Adrian Crowley–“Crow Song”
Adrian Crowley–“Take Me Driving”
3.
Soft Kill–“Mourning Dove (Demo)”
Soft Kill–“Looking at You (Demo)”
Soft Kill–“Basement (Demo)”
Soft Kill–“Always Running (Demo)”
Soft Kill–“Tugahs (Demo)”
Soft Kill–“Top to Bottom (Demo)”
4.
The Linda Lindas–“Racist, Sexist Boy (Live at the LA Public Library)”
Tom Morello & Pussy Riot–“Weather Strike”
Lula Wiles–“Television”
Femi Kuti & Made Kuti–“Different Streets”
The Supremes–“Stoned Love”
5.
black midi–“Dethroned”
black midi–“Bmbmbm”
Squid–“G.S.K.”
Squid–“Peel St.”
Squid–“Pamphlets”
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This week I transitioned from a brief holiday at home to resume working once again, assiduously, on the two books I am writing. I began by making small changes across the array of chapters I have written to date as part of 21st Century British TV Crime Drama: a Critical Guide. Here is the complete chapter listing; I have completed writing the first half of the book to date:
Acknowledgments
Chapter 1: Introduction
A. Single Series (Single Season) Shows
Chapter 2: Fearless
Chapter 3: The Shadow Line
Chapter 4: Collateral
Chapter 5: Black Work
Chapter 6: The Informer
Chapter 7: London Spy
Chapter 8: Undercover
Chapter 9: Code of a Killer
Chapter 10: Chasing Shadows
Chapter 11: Close to the Enemy
Chapter 12: The Bodyguard
B. Multiple Series (Multiple Season) Shows
Chapter 13: New Blood
Chapter 14: Hinterland
Chapter 15: Unforgotten
Chapter 16: Life on Mars
Chapter 17: The Fall
Chapter 18: Broadchurch
Chapter 19: Suspects
Chapter 20: Inspector George Gently
Chapter 21: Shetland
Chapter 22: Happy Valley
Chapter 23: Line of Duty
Chapter 24: Sherlock
Because the introduction is thorough and I include works cited listings at the end of every chapter as well as credits listings and substantial synopses at the beginning of chapters 2 through 24 I don’t expect I will need any further sections–no preface, no postface, no recommended reading, no index, and no videography.
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Next I began work on chapter three of Ian Curtis, Joy Division, and Critical Theory. My major accomplishment so far has been to carefully re-read Karl Marx’s Economic and Philosophic Manuscripts of 1844; Emile Durkheim’s Suicide: a Study in Sociology; and Sigmund Freud’s Civilization and Its Discontents. In this chapter I am staging an encounter, and a dialogue, among these three books and Ian Curtis and Joy Division.
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Karl Marx’s Economic and Philosophic Manuscripts of 1844 is most famous for its contribution to critical theory of alienation, or estrangement, but the book is considerably more far-reaching than that, as ambitious and important as a critical theorization of alienation, or estrangment, is on its own.
A significant number of subsequent Marxists have argued this book exemplifies the limitations of the ‘Early Marx’ or the ‘Humanist Marx’ that are then superseded in the more ‘Mature Marx’–and even that the latter work amounts to a decisive rupture with the former–but I don’t interpret Economic and Philosophic Manuscripts of 1844 in this way.
I find this early work anticipates much of what Marx focuses on throughout his subsequent critical theoretical work, as well as much about the way in which he pursues and carries out this work. Marx continues to develop, revise, refine, and transform his thinking but the continuities I find as striking as many others find the discontinuities.
Economic and Philosophic Manuscripts of 1844 focuses a great deal of attention on a critique of classical economics, or in other words bourgeois political economy, as represented by founding figures such as Adam Smith, as well as on coming to grips with Hegel and the Hegelian dialectic and working out what can be useful derived from Feuerbach’s materialism. But the book also encompasses contributions toward theorizing the wages of labor, the profit of capital, the rent of land, relations between landed property and commercial and industrial capital, the antithesis of capital and labor, relations between private property and labor, the history of the rise to dominance of capitalism, the power of money in capitalist society, and how to make sense of socialism and communism including in relation to transformation of and transition from capitalism as well to each other.
And Economic and Philosophic Manuscripts of 1844 is also rightly renowned as a significant contribution toward a Marxist theory of nature, the value of nature, and the interrelation between nature and culture and nature and the human.
Nevertheless, yes I will undoubtedly be focusing primarily on matters of alienation and estrangement in my engagement with this book in chapter three of Ian Curtis, Joy Division, and Critical Theory.
Economic & Philosophic Manuscripts of 1844
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Emile Durkheim’s Suicide: a Study in Sociology continues to be an impressive contribution to the founding of sociology as a distinct intellectual field, with its own distinct methods, focuses, emphases, and concerns, as well as a still provocative and compelling theorization of the social causes of suicide or more precisely the social causes of rates of suicide, as well as of how different distinct types of suicide, explained in social terms and on social bases as reflecting and responding to social causes, are distinct from as well as related to each other.
The book likewise continues useful in contributing toward critical theoretical engagement with complexities and contradictions concerning matters of social integration and cohesion more broadly and diversely conceived.
As is well-known, Durkheim theorizes the social types of suicide as egoistic suicide, altruistic suicide, anomic suicide, and, briefly in a footnote, fatalistic suicide, along with multiple subtypes and combined or hybrid types.
Significant elements of his theorization are, of course, reflective of dominant social norms, in his time (the late 1890s), which have been superseded, or at least strongly challenged and substantially undermined, especially when he focuses on differences between men and women, but also in his discussions of race.
Yet for all of his focus on the preeminent importance of society as moral force, Durkheim carefully avoids moralistic theorizing and is often impressively critically self-reflexive, as well as highly deliberate in working through refutations of a wide panoply of other explanations for suicide, sucidality, and trends as well as differences in instances and rates of suicide, that he finds unsatisfactory, because these efforts are unable adequately and effectively to explain what they purport to explain.
Although tempting, of course, my engagement with this book will _not_ focus on making use of Durkheim to try to explain Ian Curtis’s suicide, by attempting to classify it in terms of Durkheimian types, but rather to engage with how the _art_ of Ian Curtis and Joy Division engages with matters of suicide, suicidality, social integration and cohesion versus social disintegration and ‘dishesion’, egoism, altruism, anomie, fatalism, and more–as itself a contribution toward a critical theoretical understanding of the same.
Suicide A Study in Sociology
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Sigmund Freud’s Civilization and Its Discontents is the shortest of the three famous book-length works of critical theory I will engage with in a sustained way in chapter three of Ian Curtis, Joy Division, and Critical Theory.
Written late in Freud’s life and career it illustrates Freud writing in a strikingly breezy vein, as well as oscillating between the assertive and the speculative and between the insistent and the hesitant.
In this book Freud’s attempts to explain how and why human beings will always experience considerable unease as part of ‘civilized’ societies and cultures, even as valuable and necessary as the latter undeniably are, and what are some of the actual and potential consequences of these array of discontents.
In this book Freud theorizes how aggression is as fundamental to human nature as he has long argued is ‘the pleasure principle’, and continues work he began in Beyond the Pleasure Principle in theorizing relation between eros and thanatos, or life and death drives, while suggesting how these drives might play out as part of societies and other social groups and not just within individuals’ psychic lives.
The consequences of internalized aggression directed inward and that is essentially incessant and unstoppable are especially striking dimensions of what Freud here engages.
Civilization and Its Discontents
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Before ending my ‘staycation’ or brief ‘holiday at home’ this past Sunday, since I last posted here I read three more crime fiction novels: Deborah Crombie’s Where Memories Lie, John Harvey’s Last Rites, and Louise Hare’s This Lovely City.
Crombie’s and Harvey’s are each part of long-running series, in the former case featuring detectives Duncan Kincaid and Gemma James, and in the latter featuring detective Charlie Resnick.
The former is a lighter series, overall, although some of the crimes do become quite harrowing, including in their affects upon the principals, with considerable attention focused on intra-familial relationships and complicated dynamics, while also evidencing the author’s and team’s concerted efforts to carefully research locations as well as historical and cultural associations with these locations. The two detectives live, and work, together in London, where the series is often set but frequently enough the focus of the novel centers around other places within Britain to which they have traveled for various reasons–while the first novel in this series I read is set in Granchester, near Cambridge, and offers a most intriguing if often highly disturbing portrait of life and death in Grantchester.
The latter series, by John Harvey, is more of a classically noir series, set in Nottingham, and with the principal detective’s love of jazz, his many cats that he lives with at his home, his Polish ethnicity, and his struggles maintaining long-term romantic/sexual relations constituting recurrent features–while the series devotes ample attention to gritty locations, circumstances, crimes, criminals, and consequences of crime, while significantly registering social and cultural shifts and trends, and paying respect to the impact of issues of race, class, gender, and sexuality. Often enough these books wrestle with questions concerning challenges involved in seeking to live an ethical life, and to do the morally right thing, in circumstances that are extremely muddied.
But of the three of these novels Louise Hare’s This Lovely City is my favorite–her first published novel, a brilliantly compelling evocation of what it quite plausibly could have been like, and especially felt like, in the initial years after the arrival of the Windrush in England as a Black Briton striving to live out one’s life as best possible in a country in which a great many (White) people are considerably suspicious of if not frequently extremely hostile toward your presence in this country. The novel, set in London, does an impressive job at capturing the complexity and vitality of the relations among the Black characters, as Hare depicts these characters as far more than mere victims, while also frankly showing how extremely vicious is the multi-faceted racism with which they have to contend. I also appreciate the fact that Hare shows how even the most well-meaning, tolerant, accepting, welcoming, inclusive, and supportive of White characters act in problematic ways versus, and maintain problematic conceptions of, Black people–including of family members and best friends. This Lovely City is beautifully written.
https://deborahcrombie.com/…/the…/17-where-memories-lie
http://mysteriouspress.com/…/last-rites-by-john-harvey.asp
https://www.theguardian.com/…/this-lovely-city-louise…
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Among TV crime series Andy and I have been screening of late we have begun working through series four (season four) of one of my top favorite British shows: Unforgotten, created by Chris Lang and starring Nicola Walker and Sanjeev Bhaskar (among others). The show focuses on ‘cold cases’ and, as its title suggests, focuses more precisely on transforming ‘forgotten’ lives into ‘unforgotten’ lives. The series readily invites and encourages, on a socially symbolic level, us to identify with a commitment toward actively, conscientiously caring for those who have otherwise been pushed to the social margins–those who have been excluded, ignored, abandoned and forgotten. The manifestation of caring this show conveys I’ve found impressively moving, and it has often enough made me feel an aching yearning for so many of us to live in substantially, persistently, deeply, and fundamentally caring kinds of social relations with each other–as well as to contribute to the work necessary to transform existing social relations so this kind and extent of caring becomes structurally embedded and systemically pervasive.
Unforgotten
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Also recently, Andy and I have screened Dark Woods, a German TV crime drama, inspired by a real-life case–a series that grows in appeal as it proceeds, and as it becomes steadily more intense and suspenseful. Here the quest to identify the real killer, and ascertain what happened to one of his principal victims, confronts incessantly daunting obstacles to the point where it feels virtually miraculous this quest ultimately succeeds–especially in the face of local prosecutorial and police malfeasance. And Andy and I have also recently screened Charlotte Link, another German TV crime drama, with each of the three episodes offering a stand-alone story arc, each based on novels by German writer Charlotte Link. The extended time each of these episodes encompasses (90 minutes) allows the crimes, and the pursuit of answers concerning who and what has been responsible or these crimes, to become intricately twisted and treacherously convoluted. This series we also found interesting because the first two episodes are set in the UK, with British characters, but all of the actors speak German, while the third is set in France, with predominantly French but also a significant number of Bulgarian characters yet once again all of the actors speak German. This reminds me of how often I have screened fictional films, or TV shows, ostensibly set in non-English speaking countries, or non-English speaking regions/locales, involving ostensibly non-English speaking characters, where all of the actors are nonetheless speaking English and we are expected to imagine they are speaking their native language–but I haven’t anywhere near as often experienced this situation in reverse. Andy also appreciates us screening German TV shows because this gives him a chance to refresh his German, and he does often point out what he considers mistranslations or shares what he proposes are better translations than we encounter in the subtitles.
https://theeurotvplace.com/…/euro-tv-to-watch…/
https://watch.mhzchoice.com/charlotte-link
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We have screened many other TV shows recently as well, and I suppose as ‘guilty pleasures’ I will mention season two of Ragnarok, where we benefit from Andy’s considerable knowledge of Norse mythology, and The Big Family Cooking Showdown, a British series, which I appreciate because of how large a percentage of the contestants are people of color, and because the range of families involved consist of multiple combinations of people maintaining multiple different kinds of relations with each other.
https://www.netflix.com/title/80232926
https://www.netflix.com/title/80186090
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Aside from the aforementioned, I’ve continued regular outdoor walking and running, despite the high heat–and humidity. I do need to be careful because I tend to more readily stress various parts of my body exercising in high heat and humidity than when I was younger but I am fairly vigilant about that, and continue to study and practice multiple methods of improving strength and flexibility as well as preventing injury. I am pleased that this week so far I ran four miles, on three separate days, in 90 degree–and humid–weather on pavement, and what I worried might be injuries to my right calf and right knee don’t seem to be, as I am getting steadily stronger and I simply am registering the transition. I do hope that when I return to full-time teaching running regularly will be so much part of my weekly routine that it will be unthinkable for me not to insure that I make time to continue to do that no matter what else is happening with my work life. I will be stronger, healthier, happier, and more thoroughly resilient if I do so.
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Since this is Pride month I will share here, as I have in the past, one thing that has often troubled me as a gay man is how often many other people have imagined, or assumed, simply on account of the fact that I am gay that I could not possibly be someone who maintains a strong interest in sports–both as a spectator and as a participant, I could not be highly knowledgeable about sports, and I could not be any good at playing sports.
I am pleased to recently have taught four classes focused on ‘Sports, Politics, and Society’, and all have been great classes–my three best Blugold Seminar in Critical Reading and Writing classes by far, and one of my best 200 level ever umbrella classes by far as well.
I have been frustrated as well in the past when other gay, or queer, people have also disparaged interest in, knowledge of, and participation in sports–even as in and of itself ‘heteronormative’–but more often by straight people making heterosexist assumptions about me in relation to being gay and interested in/knowledgeable about/active in sports.
Fortunately, students in all four of the aforementioned classes showed absolutely no sense of surprise that a gay man might maintain a passionate interest in and involvement with sports–and no sense that being gay should be in any way or degree incompatible with this kind of interest and involvement. This is, for me, a most welcome generational change.
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Andy and I are getting prepared soon to take our one anticipated short trip of the summer, for Casey to have his eyes examined by a specialist in the Twin Cities who will hopefully be able to perform surgery so he can see once more. He is not as miserable as he first was, once his blindness hit, but he is certainly neither as happy nor as active as he was before then, and it is indeed often heartbreaking to observe him wander slowly about running into things, and us, repeatedly, even with the protection his ‘halo and wings’ device gives him.
*
I am going to try here quickly to think if I have anything else worth sharing. I did recently think it would be interesting to share all the sources of news reporting, information, analysis, and commentary I regularly read–aside from all those principally connected to teaching and scholarly interests and concentrations and aside from all those principally connected to work I do on and for my radio show–but I quickly realized this would be a huge list.
I thought about doing so because others might be curious about some of these that they don’t regularly turn to, or know about themselves, and also might recommend others to me.
I may do that sometime but the sheer exercise of contemplating doing so was helpful enough in clarifying for me why I often don’t seem to have as much time left over each day as I think I should–because of the myriad array of newspapers, magazines, blogs, websites, broadcasts, videos, listserves, and regular mailings from numerous organizations and individuals I read on a regular basis.
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But I’ll conclude this week’s sharing by shifting to how I answered a recent query about ‘why write’–i.e., why do I write, and why do I find writing valuable to do.
Why write? Excellent question. Many reasons. As a means of thinking and of feeling–and not just as a means of determining or clarifying what I think or feel. As an experience in itself, as an event, and as an encounter–with limits as well as with possibilities, and not just ‘my own’ as some singular, solitary, supposedly unique individual. As a manifestation that I, whomever that may be, continue to exist and persist. With the hope, but no certainty, that someone else somewhere and at sometime will find what I write of some use to them. Out of a sense of responsibility to give witness and testimony. Out of a sense of social responsibility, a responsibility to contribute, to serve, to be of use. Out of a sense of responsibility to make use of and to share what I can of the opportunities and advantages I have enjoyed, of the knowledge, experience, skill, talent, insight, and perhaps even a little wisdom I have developed as a result of those opportunities and advantages. To create something that may maintain, and perhaps convey, even the slightest tinge of beauty. To question, to challenge, to critique, to appreciate, to praise, to pay respect. To empathize. To imagine beyond. To press against the boundaries of the conceivable. To hope, to dream, to desire. To worry, fear, and dread. To share my complexity, multiplicity, contradictoriness, and dynamism to elicit others doing the same, and to invite and encourage genuine recognition of these features in, and of, all of us. To share my own vulnerability in the hope this will encourage others to do the same, and that together we can make shared vulnerability a source of strength. To communicate my love for life, for living, for people, and for our common world.